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Sunday, September 3, 2023

Portfolio

Alana McCool, natural left habitus (photo by D. Nolin).
 

Traditional Illustrations

Snow Trillium (Trillium nivale)

Skunk Cabbage (Symplocarpus foetidus)

Bookmark: Striped Maple (Acer pensylvanicum)

Bookmark: Wall-rue (Asplenium ruta-muraria)


Ice pans in eddy on the Little Miami River. Ball-point pen.


four lichen vignettes. Pen and colored pencil, 2x3 in. each

button lichen study at three scales (Amandinea sp.) pen and watercolor

It filled the violet-blue sky (total eclipse 2017) Acrylic, 5x4 in.

Smooth Rockcress (Boechera lavigata). Acrylic.

Bookmarks: The Four Seasons: Winter (Symplocarpus foeditus, Hamamelis virginiana, Hepatica acticuloba, Trillium nivale); Spring (Sanguinaria canadensis, Erythronium americanum, Iris cristata, Jeffersonia diphylla); Summer (Silene regia, Ratibida pinnata, Euphorbia corellata, Fillipendula rubra); Autumn (Solidago canadensis, Symphyotrichum, Eupatorium, Solidago rigida).


Johnny Darter (Etheostoma nigrum). Pen.



 Vector Illustrations

Bloodroot (Sanguinaria canadense)

tachinid fly (Eucelatoria gladiatrix)

Genitalia of tachinid fly (Vibrissina sp.)


Maps of West Region of Ohio nature preserves with bedrock, physiographic region, original vegitation, and glacial thickness maps. These images are examples of using Inkscape layers and clipping to make quick and dirty mock-ups for personal research use.



Photography

Viceroy with Cornus sp.

Round-leaf Hepatica (Hepatica rotundifolia)

White Turtlehead (Chelone glabra)

Puffball mushrooms

Lesser Fringed Gentian (Gentianopsis virgata)

Purple Cress (Cardamine douglassii)

White Trout Lily (Erythronium albidum)

Sharp-lobed Hepatica (Hepatica acticuloba)

Bloodroot (Sanguinaria canadense)

Stiff Goldenrod (Solidago rigida)

Savannah Blazing Star (Liatris scariosa)

Smooth Rockcress (Boechera lavigata)

jumping bristletail (Archeognatha: Machilidae)

periodical cicada (Magicicada sp.)

browse damage on Trillium nivale

Trillium nivale stunted by non-alkaline substrate


Davey Woods State Nature Preserve

Huffman Prairie State Natural Landmark
Massie Creek, Indian Mound Reserve

Huffman Prairie State Natural Landmark

Pope Lake State Natural Area (see original here).


Other Illustrations

Untitled. Pen and colored pencil.

Stained Glass 2. Charcoal and colored pencil.


   
Grass in Wind and Sun. Vine Charcoal.



Sunday, June 12, 2022

Laura awake, sky is deep blue and purple through slats on window shades, haze on horizon yellow in brown far away. and high in east is bright Venus. Her eyes lay on it as her mind clear. It seem her it is brighter in that frost February air and pulse, with little halo. It makes a spot on her eyes, so that when she closes them, Venus is still there. And they open again, and the floating spot fall on the floor, where her shadow lay head and torso over the bedroom door. In that Venus light spot the shadow seem waves and her eyes close again, head lays down on the pillow and Laura tries return to sleep. But the Venus spot shifts in her eyelid hallucinations, and she opens eyes again, and rubs them. Her shadow is now not cast on the door, but under it, head and shoulders disappear in the crack. She rubs her eyes again, and the shadow is further out, only legs and feet on the rug. Laura sits straight up and the shadow does not follow her. It is gone, out the door. She holds out her hand and Venus light lay on the wall, as if her hand is perfect clear glass. She is alone in the room without her shadow. Laura shivers away her blankets and any thought about go back to sleep, buts on some slippers and her robe, and opens the bedroom door to see the shadow slipping through the kitchen to the East, to the backdoor over the yard and the corn field beyond; under the crack it goes, and Laura pulls open the door and follows it in the cold light. There she sees the shadow grow, darker in furrows and brighter in ice puddles and on stubble; it stretches out, hand towards her, hands reaching North and South, legs drawn out in long ropes that extend like railroad tracks to the horizon. And then more, Laura sees two more hand shadows stretching from North and South, joining with her shadow. and on that time, with great shadow nazca lines before her, it seems Laura that Venus's light waxes and pulses. And then she know it pulsed, because the shadow darker ripples, it is heat or steam over asphalt, though the air is freezing. Then the shadows hold arms tighter, and Laura sees them fly up in the blue violet sky, black bird shapes appear from the horizons, rise up to the vanishing point, an unbroken chain of shadows flying up in a ring. and she sees the inverse halo set darker and tighter around the Morning Star, and their heads and legs tighter and tighter. It makes her eyes hurt to look at that millions strong Koch curve of human shadows, but it is so beautiful and wonderful she can't look away. The ring seems to her to glow black as Venus pulses brighter and brighter, the blue violet fading to robin egg, then to white. And one last pulse blinding light, Laura finally looks away; it is like if the sun were the distance away of the moon, but with none the heat. and then the light suddenly fades, and her vision is only one full gray white spot. And for minutes she can see nothing while she leans and breathes against the door. When it finally clears she looks up. The bright pulse of Venus fades to a steady, benign blow. The fractal ring breaks apart, long stretching falling back to earth, back over the horizon. Her shadow releases its adjoining hands as it sets down in the corn stubble, legs reversing, as they pull west to Laura standing at the door. And finally the shadow locks on her body behind her, feet under her feet. Laura turns to look at the shadow, lays her head against the door, against that part her that was always with her. And it seems her warm and comfortable, and she not fear it, or wonder if it will walk away from her again. She looks up at steady glow Venus in the now become morning red and yellow. Was it a miracle from God or gods? A beautiful rare thing that charge the dark with planet light? Or was it that last effort in souls final ritual, that all shadows along the horizon stretched out their dark for to make an un-beacon of protection? And if protection, what did that 500 suns bright pulsing mean? Who or what human shadows are protect against? Laura returns to the kitchen to wonder these things, and she sets the kettle to boil. Because, though there is still hours before sun breaks over the trees, she will find no more sleep until Venus fades in the morning light.

Sunday, October 3, 2021

You want art out there,
something not
inside you, something
other, different
from those things
you can do, or think,
different from craft,
want an art
on that bedroom wall,
some van Gough, David,
da Vinci,
some object, shows that
you like the good things,
pretty things,
or smart things, or help
remind those beauty
in deep cracks
sometimes see on walks,
from eye corners, or
off windows,
sky from mirror view.
If art is outside,
separate,
feels legitimate,
realer, object says,
I am good,
I am beauty, listen,
I make you good too.
Beat down that
craft inside, push out
itch to make and do.
Is enough, says art,
you see me and like,
or wish to have me,
or work hard and make
more like me, that real
value in cotton rag
canvas for canvas.

But all you art, all,
even your most,
is clay, rock, water,
fiber, soot, no life,
dead after
drawing forth from in.
If leaves patterns fall
by windwork
in the old woodlot
and no person walks
to see it,
then if the painting
dies finally, mold
takes it, paint
chips to nothing, then
what is art really?
The only thing
on the paper is
graphite. Image comes
when we see.
All the great arts fade,
and craft inside us
bright remains.

Thursday, July 22, 2021

Bookmark 18: Asplenium ruta-muraria

 



 

Thank you, person who
put the bench
on the trail. I was
not tired but my knees
can't move me
more, that prairie pull
them to ground, head down,
eyes full with
coneflower yellow,
purple, millions of
bergamot,
and red red red RED
royal catchfly, more
than crimson,
in the bluestem big
and little, Silphum buds
high in blue,
wind rocking my tears,
butterfly in throat,
bumblebee
in my heart.

Sunday, July 11, 2021

Stone in my heart, and
stomach, pulls
me down, draw my head
to earth, tight with ropes
and lure weights,
when my mind asks, why
any one want me, what
good I have,
pull tight, knot fast and
stone drop down to earth,
and I say,
no, they care, love you,
need you, want your art,
your work, like
your help. But stone pulls down,
down, anchor drops, drags,
rope mesh or
cage, those old crab traps,
rusty and squeak the doors,
around my heart,
saying, how you can
think you are good? How
you not see,
all are annoyed, your
talk, your push into
every space,
you want too much from
everyone, doors say,
cage and ropes
tight around my heart.
Heavy stones are hard
to fight, and
trap doors always lie.